Internationales Obernkirchener Bildhauer-Symposium – Bildhauer bei der Arbeit

The Symposium

Sculptor at work on Obernkirchen sandstone in front of the museum – Photo: Archive IOBS
Photo: Archive IOBS · Open-air sculpture workshop on the church square in Obernkirchen

🏛️ Call for Applications 2027

For international sculptors: Terms, Bückeberg sandstone block, €1,000 artist fee, free accommodation, full board, and travel reimbursement. Application deadline is January 15, 2027.

🗺️ Sculpture Trails

Over three decades of sculpting tradition: Works from thirteen symposia since 1988 shape the public space of Obernkirchen. Discover the artworks and four thematic walking routes on the interactive map.

Art to Touch – In the Heart of Obernkirchen

When it premiered in 1988, the Obernkirchen Sculpture Symposium may have been an insider tip – today it is firmly established on the international arts calendar. Every three years, the historic church square turns into a bustling open-air studio where sculptors from around the globe create monumental works before the eyes of the public. Already at the 8th symposium (2009), more than 30,000 visitors came to watch the artists at work.

Sandstone sculpture Embrace by Lucia Seracca from the founding year 1988 – Photo: Archive IOBS
Lucia Seracca (Italy): »Umarmung« (Embrace), 1st International Sculpture Symposium 1988 · Photo: Archive IOBS
Two sculptors in dialogue taking a break on an Obernkirchen sandstone block on the church square – Photo: Archive IOBS
Encounter and studio atmosphere on the church square · Photo: Archive IOBS

The International Obernkirchen Sculpture Symposium presents artists who are approachable and create works that are meant to be touched: tactile interaction is expressly encouraged. Our participating artists include figurative and abstract creators, conceptual minds and spontaneous carvers, craftsmen and innovators, masters and self-taught talents from Europe, Asia, Africa, and the Americas. In open dialogue with the artists, every step—from splitting the multi-ton raw block to detailing fine surface textures—becomes directly tangible.

The Famous Obernkirchen Sandstone

Quarried from the historic sandstone quarries on the Bückeberg ridge, this fine-grained, light-colored material provides an exceptional carving stone provided to the participants by the symposium. For centuries, Obernkirchen sandstone has shaped architectural masterpieces of global renown—from Cologne Cathedral to the City Hall of Bremen.

Sculptor Tutani Mgabazi in the sandstone quarry on the Bückeberg – Photo: Archive IOBS
Sculptor Tutani Mgabazi (Zimbabwe) selecting his stone block in the Bückeberg quarry · Photo: Archive IOBS
Traditional sculpting tools in a sandstone tool stand – Photo: Archive IOBS
Craft & Haptics: Traditional stonemasonry tools on site · Photo: Archive IOBS

Traditional Tools & Craftsmanship

Mallets, iron hammers, point chisels, pitching tools, claw chisels, and rifflers: alongside modern pneumatic machinery, many artists intentionally choose the centuries-old instruments of stone carvers. Visitors can observe every working step from close up—from the initial rough splitting of the massive raw block to the nuanced finishing of surface textures.

Drawing of sculptors working on the church square – Drawing: Mette Mark Larsen
Artistic Drawing: Mette Mark Larsen (Symposium 2018)

Image Credits: Photographs from the archive of the International Obernkirchen Sculpture Symposium / Kulturfenster Obernkirchen e.V. Artistic drawing: Mette Mark Larsen (Symposium 2018). All rights reserved.